Movie review: Death Note (2017)

Death Note is about a Seattle high-school student, Light Turner, who finds a notebook (the titular Death Note) that gives its owner the ability to kill people simply by writing their name in it. He decides to use it to rid the world of criminals, but he soon attracts the interest of the world’s foremost detective, “L”, who is determined to catch him.

I’ve been anticipating this Death Note movie ever since I first heard about it. I’m a huge fan of the original anime, it has extremely compelling characters, fantastic pacing, and it’s probably the most clever show I’ve ever seen. I was interested in seeing how the characters would translate to an American setting (the movie is set in Seattle) and the casting of Willem Dafoe as the shinigami (death god) Ryuk was a great sign. And the movie is produced by Netflix, which has had a pretty good track record with original content.

Well, unfortunately this movie is terrible. It’s so bad that I’m doing my very first post reviewing only a single movie just so I can have more space to write about how much I hated it. I’m not usually so vehement about disliking a movie, I can usually find something to appreciate about it, but I can’t find much in this one. It’s not just a awful adaptation (I used to care about movie adaptations sticking to the source material but I’ve watched enough movies now to respect them as their own medium with different storytelling conventions), it’s a failure on every level.

One of the most interesting things about the original Death Note anime was that Light (Light Yagami, that is) was a genius. He does extremely well at anything he tries (he’s top ranked nationally in both standardized testing and tennis), he’s handsome and popular, so it makes sense that he has hubris enough to believe that he knows what’s best for the world. Throughout the show you both admire him and want him stopped immediately. His cat and mouse game with L (also a genius) has you fascinated from the very beginning because what they both do is entirely unpredictable but also makes total sense (and fits within the rules of the world).

I didn’t expect Light Turner to be exactly the same as Light Yagami, but I didn’t expect him to be so different either. He is an average whiny teenager who is bullied and there is zero reason to like him or even be sympathetic to him. He doesn’t even have much agency as a character, his actions are driven by either Ryuk’s urging or by the attention of a cheerleader that he has a crush on. None of the other characters are much better – Ryuk is probably the best one (Willem Dafoe is good like I predicted), but he’s not very nuanced either.

The over-simplification of the characters is a problem, but sadly it is not the only problem, or even most of the problem. The pacing is too fast in the beginning and too slow towards the end. The plot is more like a bunch of plotholes connected tenuously together (I’m not sure if that simile makes sense, but it still makes more sense than the movie). The tone jumps around all over the place from teen drama to horror to comedy to action (and none of it matches the tone of the source material). For some reason, there’s also gratuitous gore – the movie’s Light favors writing ridiculous death scenarios for his victims. I could maybe see an decent horror movie that could be re-edited from this movie, but movie that was released was not a decent anything. The actors do an okay job with what they’re given, but often what they’re given seems more contrived than a Disney Channel original movie.

The movie feels like the production team was given a one paragraph summary of the original manga/anime and that’s all the information they had to base their work on. Or maybe they thought that what made Death Note successful was its premise but it’s not. There are a million “what if” stories out there (that’s pretty much the definition of speculative fiction), and the idea of a teenager finding a Death Note is not that powerful on its own. Of course it wouldn’t have mattered if they didn’t stick to the source material if the movie had actually been good or interesting, but because it isn’t, it begs the question of why the people making it decided to explicitly get rid of all the advantages the source material came with.

If you haven’t watched the original anime, please don’t let this travesty of a movie put you off. I can’t comment on the manga since I haven’t read it, but I’m sure it’s excellent as well.

Weekly Movie Reviews: Aug 13-19, 2017

Favorite Movie of the Week

Dhobi Ghat (2010)

Dhobi Ghat follows the life of four interconnected people living in Mumbai. Shai (Monica Dogra) is a banker on sabbatical working on a project to chronicle the lives of Mumbai’s workers through photographs. Arun is a introverted artist looking for inspiration for her next project. Yasmin is a newly married immigrant from the state of Uttar Pradesh recording her experiences on a camcorder. Munna is a washerman (the titular “dhobi”) and rat-killer who aspires to become an actor.

If you’re familiar with indie movies, this is not a particularly special movie, it follows a few characters, it’s mostly slice-of-life but has characters that change subtly because of their interactions and experiences. But for an Indian movie, that makes it unique. It’s quiet, it has well-developed characters and nuanced acting, it offers an interesting perspective, and above all, it lacks melodrama. I’ve never seen an Indian movie that took that approach to storytelling (I haven’t seen many Indian indie films, though) and I want more! There were actually people I could identify with!

The score to this movie is fantastic too, it’s by two-time Academy Award winning Argentine composer Gustavo Santaolalla (though I’m most familiar with his work on the video game The Last of Us). I felt like the tone and atmosphere of Dhobi Ghat reminded me of Alejandro Iñárritu’s 21 Grams and Babel, I wonder how much of that was because all three movies were scored by the same person.

Other Movies Watched

Auntie Mame (1958)

I watched Auntie Mame a long time ago but didn’t remember much of it. When socialite Mame’s young nephew Patrick is orphaned at a young age, he comes to live with her. In order to keep Patrick from taking on too many of Mame’s free-spirited qualities, his father has appointed one of his stodgy business associates to be the executor of his estate and the boy’s trustee. The movie takes place over 18 years as Patrick grows up with both these influences in his life

Even though the story is structured around Patrick’s life, Mame is the protagonist. Rosalind Russell plays her part marvelously, she’s charming and exasperating at the same time, and you are both worried and glad that Patrick has her in his life. The movie is very well-paced, despite being almost two and a half hours long, it feels engrossing all the way through and you don’t know where the time went. The characters aren’t always consistent – for example, the events at the end are resolved much too neatly, but that’s one of the only things that dates the movie, otherwise it’s suited to modern sensibilities.

Midnight Cowboy (1969)

We’re slowly watching our way through all the Oscar Best Picture winners and got one more off the list with Midnight Cowboy. A young Jon Voight plays small-town Texan hustler Joe Buck who moves to New York City and hopes to use his cowboy image to become a successful male prostitute. He meets with limited success but befriends Enrico “Ratso” Rizzo (Dustin Hoffman), a small-time con artist.

I didn’t know anything about this movie before we watched it except that it starred Jon Voight and Dustin Hoffman and that it won the Oscar for Best Picture. I had actually assumed it was a Western. It’s very good, especially for the time in which it was made. It explores things like prostitution, poverty, gay relationships, sexual abuse, mental illness and I think that’s significant for 1969. Jon Voight is charming as the naive and optimistic Joe and Dustin Hoffman is great at going from sleazy and lovable – you get to know his character at the same pace that Joe does and your opinion changes accordingly.

One of the most notable things about this movie is its use of montages and images that represent Joe’s thoughts and memories, I think this must have been one of the first movies to experiment with those narrative techniques. Those sequences feel a little rough, like a new idea that hasn’t been thought through fully and it’s interesting to see the genesis of a technique we take for granted now. Also a fun fact: this movie was the only X-rated movie to win the Best Picture Oscar (although shortly after its release the rating criteria was changed and it was re-rated as R).

Rock of Ages (2012)

I’ve been looking forward to watching Rock of Ages ever since I ran into a clip of Tom Cruise singing Bon Jovi’s Wanted Dead of Alive while watching YouTube videos. I’m a big fan of 80’s rock, and the idea of a musical featuring entirely 80’s rock sounded excellent to me. The movie centers around the story of a young couple, Drew and Sherrie, who are both aspiring singers but it features an ensemble cast with their own (mainly romantic) subplots.

There are a lot of great things about this movie but unfortunately it’s not a very good movie overall. My husband described it as “less than the sum of its parts”, and I think that’s a good description. The songs aren’t bad (Tom Cruise has a good singing voice, and all the songs he does are particularly good) and the movie does a decent job of contriving situations that the songs will work well in. The actors seem like they’re having fun, especially Alec Baldwin who is cast against type and Catherine Zeta-Jones who plays a delightful scenery-chewing villain. I found the actual story of the film incredibly trite, though, especially Drew and Sherrie’s romance. The play that the movie was based on had a story that sounded much more interesting, but I read that the movie’s director didn’t care for the play and made a lot of changes, which is a great pity.

Alien: Covenant (2017)

Alien: Covenant is the latest movie in the Alien franchise and Ridley Scott’s first movie featuring the titular xenomorph since 1979. I enjoyed Ridley Scott’s Prometheus, and this movie was touted as both a sequel to Prometheus and a prequel to Alien. We follow the crew of the colonization ship Covenant who stop to investigate a signal that seems to be coming from a human source on an undiscovered habitable planet.

Of course this turns out to be a terrible idea and you already know what the outcome is going to be – monsters bursting out of people’s bodies and pretty much everyone dying. Alien and Prometheus succeeded in part because of their masterful suspense, which is completely absent in this film, you see everything coming ahead of time. Even the xenomorphs are shown in broad daylight. Plus the writing is bad – the characters make such monumentally stupid decisions that it makes it hard to invest in the movie because you can’t suspend your disbelief that far. However, it does do its job of connecting Prometheus into the continuity and offering more insight into the genesis of xenomorphs, and it’s still fun to watch.

The Best of Times (1986)

Jack Dundee (Robin Williams) is a bank manager haunted by the memory of a pass he missed in an high-school football game more than a decade ago – the only time his team ever came close to beating the neighboring town that has been their long-time rival. In an effort to move forward, he organizes a rematch and recruits former star quarterback Reno Hightower (Kurt Russell) to help bring the team together.

I was excited to watch this movie because I figured that anything with the two main characters played by Robin Williams and Kurt Russell had to be good. Unfortunately I was wrong. There isn’t anything hugely wrong with this movie, it’s just a mediocre comedy. Or maybe there is something wrong with it and the two lead actors’ performance elevated it to mediocre. In any case, the result is forgettable.

Save the Last Dance (2001)

Sara (Julia Stiles) used to be a passionate ballet dancer, but after her mother dies on her way to attending Sara’s Juilliard audition, she gives up dancing. She moves to her father’s apartment in Chicago and starts dating Derek (Sean Patrick Thomas), who helps her rekindle her dream of continuing ballet at Juilliard. But they also have to deal with the social consequences of being an interracial couple.

I’m usually a fan of teen coming-of-age movies, but I didn’t find Save the Last Dance very compelling. The core of the movie is the relationship between Sara and Derek, but I didn’t think the actors had good chemistry and the progression of their romance is non-existent – they seem to be either instantly in love or arguing just because the plot wanted them to. The characters surrounding them are pretty inconsistent too.

Weekly Movie Reviews: Aug 6-12, 2017

I usually order the movies I review in descending order of how good I think they were. Unlike most weeks, this week’s movies were all really good, so take this order with a grain of salt.


Favorite Movie of the Week

Hail, Caesar! (2016)

Hail Caesar! follows a day in the life of Eddie Mannix (Josh Brolin), a studio executive and “fixer” at a movie studio in the 50s. As he considers a lucrative job offer with much saner hours and duties, Mannix has to deal with a dozen different impending disasters involving both issues with movie production and the personal lives of his contracted movie stars.

I used to not be big fans of the Coen Brothers (I know they’re incredible directors but I didn’t connect with a lot of their stories), but the more films I watch, the better I like them. Hail Caesar! is a lot of fun, especially for someone who watches movies as much as I do, it’s a real tribute to Hollywood. The cast is one of the best parts, even minor roles are played by terrific actors, and it includes George Clooney, Ralph Fiennes, Jonah Hill, Channing Tatum, Scarlett Johansson, Tilda Swinton, Frances McDormand and a lot more. Plus Alden Ehrenreich, who I’d never seen in anything before but now I’m a fan and I think he can actually play young Han Solo in the upcoming Star Wars movie (I’ve been skeptical about anyone being able to pull that off).

I liked pretty much everything about this movie – it was well-paced, well-acted, funny, had a great atmosphere, and had a lot of variety (I especially loved the musical that Channing Tatum’s character was filming). I thought George Clooney was especially amazing, he played a complete airhead so well that I kept forgetting who he was.

Other Movies Watched

Take Shelter (2011)

Curtis (Michael Shannon) starts to have intense dreams depicting an apocalypse and has to decide whether to protect his home and family or to seek treatment for mental illness. This movie was written/directed by Jeff Nichols (Loving, Midnight Special), who I was already a fan of before this movie cemented it. Most of the drama in this movie comes from Curtis’s internal state and Michael Shannon is amazing at generating real tension just from a facial expression. Jessica Chastain is great as Curtis’ wife as well. This isn’t relevant to most people but Take Shelter was set and filmed within 20 miles of where I live, there was even a scene filmed in a local Oberlin shop!

Matilda (1996)

I’ve seen Matilda before and I love the book it’s based on (and Roald Dahl’s writing in general), so this was a comfort-watch. Matilda is a young genius with an obnoxiously awful family who mostly just ignore her and make fun or her. When she’s finally allowed to go to school, she finds friends and a lovely teacher, but makes an enemy of the loathsome principal, Miss Trunchbull, who hates children and is happy to show it. At first Matilda is helpless but eventually discovers that she can fight back pretty effectively. The movie doesn’t exactly follow the book but it gets the spirit across and it’s one of my favorite book-to-movie adaptations. Danny DeVito is the director, the narrator, and the actor playing Matilda’s dad and does all three well.

The Descendants (2011)

After his wife is seriously injured in an accident, Hawaiian lawyer and land baron Matt King (George Clooney) must reconnect with his two daughters and come to terms with his less-than-ideal relationship with his wife. George Clooney is fantastic in pretty much everything he’s in, and he was the perfect person to play King, he imbues him with enough warmth and cluelessness that you can’t help but sympathize with him even as he tells you he’s been avoiding his family for years. The Descendants fits the pattern of quirky family dramedy quite well but it’s really great at it and I’m already looking forward to watching it again someday.

Rudo y Cursi (2008)

We are fans of Gael Garcia Bernal and Diego Luna and decided to watch this movie purely because they both star in it (and it’s directed by Alfonso Cuarón’s brother). They play two brothers who work on a banana plantation until they are discovered by a talent scout and given the opportunity to become professional soccer players. Going into the glamorous world of soccer isn’t an easy thing though, and the siblings’ love/hate relationship only complicates matters. This is a witty comedy that finds humor in believable characters getting themselves into believable situations. It pokes fun at a lot of things – soccer, celebrities, corruption, gangsters, multi-level marketing, and more, and it’s all genuinely funny. Apparently this is one of Mexico’s highest grossing movies and I can see why.

Short Term 12 (2013)

After watching Room recently, I read that Brie Larson was cast on the strength of her performance in indie movie Short Term 12 so I wanted to watch it. Grace (Brie Larson) works at a residential treatment facility for troubled kids alongside her boyfriend. Her childhood was pretty screwed up and she’s able to relate to and form a good rapport with the kids that she supervises, but she still has issues reconciling with her own life. Short Term 12 is mostly flat and unpretentious and all the actors do a great job. I thought it captured the atmosphere of the facility well. I thought things wrapped up a little too neatly at the end given the messiness portrayed beforehand but that’s only a minor flaw.

Wild (2014)

Wild is based on the memoirs of Cheryl Strayed, a woman who set out to hike solo for over 1,100 miles of the Pacific Coast Trail after her marriage ends badly. Wikipedia describes this as a “survival” film, which brings to mind movies like 127 Hours or Everest, but this is nothing like those, it’s a story about self-discovery. Reese Witherspoon plays the main character and Laura Dern plays her mom; they both picked up Oscar nominations for their roles for good reason. I enjoyed the unique structure of this movie, we see pieces of Cheryl’s past as she thinks about them and they’re often not complete scenes. I thought it was a very natural way of showing what someone was thinking without seeming like exposition.

Weekly Movie Reviews: Jul 30-Aug 5, 2017

Favorite Movie of the Week

Summer Wars (2009)

Summer Wars is the second movie by Mamoru Hosoda of The Girl Who Leapt Through Time fame. I wasn’t expecting it to be my favorite movie of the week after I watched it, but it’s grown on me and I like it even more in retrospect.

Kenji Koiso is a quiet high school student and math prodigy who is minding his own business when a school-mate asks him to travel to a remote town and accompany her to her family reunion to help with some things. It turns out that the thing she wants help with is pretending to be her fiancé (of course, it’s an anime). But they soon have bigger problems when an unknown hacker attacks the virtual world that much of the world’s infrastructure depends on and Kenji is framed for it.

Summer Wars is both cyberpunk and slice-of-life family drama and I never thought those two genres would be combined and even if they were, I didn’t think it would work so well. The movie is set in a rambling old estate and the scenery is gorgeous, but the virtual reality is a complete world as well. And all of the characters seem equally at home in both worlds. The family reunion scenes were painfully accurate and even though there were dozens of characters I never felt lost. The main arc of the story is a little predictable but who watches movies for the plot?

Other Movies Watched

Rudderless (2014)

Billy Crudup plays the grieving father of a college student who finds demo tapes of the music his son wrote and ends up forming a band. Rudderless is William H. Macy’s directorial debut and I’m looking forward to seeing more films from him; I thought it was a very poignant movie. Original music for a movie usually isn’t that memorable, but the music was consistently great – I would buy their CD. Billy Crudup shines in his role which is a good thing since the movie revolves around him (he has apparently stuck with the guitar since his role in Almost Famous). His primary band-mate is played by Anton Yelchin; he’s delightful as always but seeing him in a movie about the death of a young man was sad.

Wonder Boys (2000)

Grady Tripp (Michael Douglas), an English professor and writer, is having a pretty bad day – his wife leaves him, he finds out that the chancellor of the university (Frances McDormand) is pregnant with his child but she’s married to the head of his department, his editor (Robert Downey Jr.) is in town to check on the progress of his manuscript, and one of his students (Tobey Maguire) just committed a crime that he’s an accomplice to. Wonder Boys is based on a Michael Chabon novel and it’s an excellent quirky character drama. I’m not sure why it’s not more well known – I only found out about it because the “Satan’s Alley” fake movie trailer in Tropic Thunder (starring Robert Downey Jr. and Tobey Maguire) was based on their roles in this movie. It’s got heart, it’s funny (especially to me because I knew a few English majors at Oberlin), the cast is terrific.

The Song of Lunch (2010)

We watched this movie after Room because we really needed something else to watch to recover from how uncomfortable it was, and The Song of Lunch was less than an hour long. It’s an adaptation of a poem about a man meeting an old flame for lunch, starring Alan Rickman and Emma Thompson. There’s not much dialogue, Alan Rickman reads the poem (it’s a monologue from his character’s point of view) as the scenes from it are acted out. I was skeptical of the whole concept, I thought it would be too artsy, but it was actually great. Alan Rickman and Emma Thompson can do no wrong and they knock this one out of the park.

Room (2015)

I’ve been simultaneously dreading and wanting to watch Room for a while. Five-year old Jack and his mother Joy have been confined to a single shed for all of Jack’s life; his mother was kidnapped when she was 17 and imprisoned ever since. Joy is determined to give him as normal of a life as she can and lets Jack believe that Room is the entirety of the world with every object in Room having its own story. Eventually they escape but adjusting to the real world proves to be harder than they thought. Room is a good movie but it’s really depressing, it does a good job of making you uncomfortable. Some of the things the characters did didn’t make sense to me, but it told a coherent story and balanced whimsy with the horrendousness of its situation well. I’m glad I watched it but I never want to see it again.

The Perfect Score (2004)

A diverse group of teenagers decide to break into the company that administers the SAT to steal answers for their upcoming retest. Along the way they realize that there are more important things than SAT scores (like finding someone to date). This movie is pretty predictable, but it’s got a good cast that includes Chris Evans and Scarlett Johansson (now I know why Captain America and Black Widow get along so well in the Marvel movies; they apparently stole SAT questions together). It’s definitely trying to echo Breakfast Club vibes but it’s nowhere near as good. If you’re a fan of teen movies, definitely watch this, but if you’re someone that just watches a movie every few weeks, it’s probably not worth your time.

Reign of Fire (2002)

As a fan of fantasy, I was really excited about watching this movie – a post-apocalyptic world that’s being terrorized by dragons, Christian Bale, and Matthew McConaughey! Christian Bale plays the leader of a small settlement that’s just trying to survive, an impressively buff and head-shaven Matthew McConaughey plays the leader of an American military expedition to wipe out the dragons’ ability to reproduce. The movie just wasn’t very good, it was passable as a alien-invasion/monster type movie, but it did nothing unique with its premise at all – the worldbuilding was practically non-existent. Plus the characters weren’t very believable, they seemed to be driven entirely by what the plot needed them to do.

The Place Beyond the Pines (2012)

When motorcycle stunt driver Luke Glanton (Ryan Gosling) finds out he has a son, he’s determined to provide for him, even if it means robbing banks. Eventually he ends up in the path of rookie policeman Avery Cross (Bradley Cooper). I think saying any more than that would be a spoiler, but even though The Place Beyond the Pines is about a criminal and a cop, it’s more like an epic family drama than anything else. It probably doesn’t deserve to be at the bottom of my list this week but I felt a little betrayed by it because it started off so well; it pulled me into its world and the mood it was setting. It reminded me a little of Drive or Hell or High Water – both of which were flat and not very dramatic, relying on their atmosphere and characters to make you care. Unfortunately, by the end, I felt like I was watching a soap opera and the movie’s tone seemed more pretentious than anything else. The acting was impressive though and I enjoyed the cinematography.

Weekly Movie Reviews: Jul 23-29, 2017

Favorite Movie of the Week

Your Name (2016)

We’ve been working up to watching Your Name by watching all of Makoto Shinkai’s other movies first, and we’ve finally watched all of them! We actually ordered a 4K Blu-Ray of the movie from Amazon Japan since it won’t release here for a while and we’re not sure if it will be in 4K even when it does (side note: ordering from Amazon Japan is amazing, it got here in two days even though we selected regular non-expedited shipping).

Mitsuha, a high school girl living in rural Japan, and Taki, a high school boy living in Tokyo, have been having strange dreams of a life that’s not their own. Eventually they realize they are swapping bodies with each other at random and strike up a friendship by leaving messages on each others’ phones. I thought the entirety of the movie was going to be about the body swap (although I couldn’t imagine Shinkai just doing a plain high school hijinks movie), but there is a lot more to it.

Your Name is unquestionably a Shinkai film, there were things in it that reminded me of elements from every one of his previous movies. Unlike his previous work though, this one is very well-balanced. All of his movies have been good but I would describe them as melancholy or bittersweet whereas Your Name has a bit of everything – comedy, tragedy, drama, emotional moments – and does it all well. It’s currently the highest-grossing anime film of all time and I can definitely see why.

Other Movies Watched

Le fabuleux destin d’Amélie Poulain (2001)

Amélie is a quirky French romantic comedy about a woman that decides to make the lives of those around her better but struggles to connect with people herself. It was one of the first movies I watched when I moved to the U.S. (I was used to Indian movies and remember being shocked that a movie could talk about orgasms so blatantly). I hadn’t seen it since then and I have been looking forward to seeing what I’d make of it when not so wide-eyed. It was just as good as I remembered it being, although I had a different perspective on most things. Pretty much everything about this movie is excellent, I can’t focus on any one aspect above the others, I loved it. Watch it!

The Girl Who Leapt Through Time (2006)

Makoto Konno is a teenager who inadvertently gains the power to go back in time. At first she uses her powers for frivolous things that improve her life – doing well at tests, avoiding embarrassing accidents and so on, but she soon realizes that her time leaps are affecting people around her as well, often in bad ways. I thought this movie was great, Makoto is a fantastic protagonist, she’s energetic, curious, tends to leap (often literally) before she looks. She was a lot more identifiable to me than most other Japanese characters; I especially liked that her two best friends were boys and it wasn’t portrayed as weird. I’ve always had a slight bias towards stories about the ramifications of time travel and this movie handles that very well. It ended up having more romance that I would have liked towards the end but I loved it anyway.

The Sea of Trees (2015)

I’ve been wanting to watch The Sea of Trees ever since I learned about Aokigahara and it’s reputation as a “suicide forest” in an anthology I read earlier this year. Matthew McConaughey plays Arthur Brennan, a suicidal American professor who travels to Aokigahara to end his life. He meets a Japanese man who has been lost in the forest for a couple of days and helps him search for a way out. I have mixed feelings about this movie, there’s a lot of good things about it – Matthew McConaughey’s acting, the beautiful cinematography, the stark and eerie atmosphere, but I felt let down by the end. I think the flashbacks to Arthur Brennan’s life before his trip to the forest were supposed to make me feel more sympathetic towards him but they bored me and took me away from the parts of the movie that I was enjoying.

Hitch (2005)

Alex “Hitch” Hitchens (Will Smith) is a consultant that helps men get noticed by the women they like. Despite dealing with love all day long, he’s happily single and intends to remain that way. Sara Melas (Eva Mendez) is a gossip columnist who is cynical about relationships, right up until she meets Hitch anyway. A standard romantic comedy ensues. I wouldn’t have wanted to see this movie if Will Smith wasn’t playing the protagonist, he’s charismatic and lovable in most things that he is in. The movie itself wasn’t that great and the characters seemed to be doing whatever the plot needed them to rather than being consistent, but I remained entertained.

Four Lions (2010)

Four Lions is a satirical comedy about four British Muslims who decide to become jihadists and commit an act of terror. I think this is actually a well-made and well-acted movie (it stars Riz Ahmed, who is terrific in everything that he is in) with great details (I especially liked how the South Asian characters kept switching to Hindi/Urdu), but I just wasn’t interested in what it wanted to say. It portrays the protagonists as incompetent and for the first two-thirds of the movie, we follow their escapades as they make blunder after blunder. I don’t usually enjoy movies whose sense of humor involves the audience laughing at how dumb people are (even if it’s about an edgy subject like terrorism) and I found it boring. The last third of the movie gets a bit exciting and has some heart, and I wished the entire movie had been that way.

Judge Dredd (1995)

I’ve never read any of the Judge Dredd comics, but I’m a big fan of the recent Dredd movie starring Karl Urban. I’d heard that the original movie starring Sylvester Stallone was pretty bad but I wanted to see it for myself. And yeah… it’s terrible. It’s a paint-by-numbers late 80’s/early 90’s sci-fi action movie, a bit like Robocop/Total Recall/Demolition Man, except that those movies are actually great. Dredd is a generic action hero without much personality. He’s got the pithy one-liners that people love to put in a certain kind of action movie and he occasionally says “I am the law!” and that’s about it. Even the actors seem to know they’re in a bad movie and don’t push themselves too much.

Weekly Movie Reviews: Jul 16-22, 2017

Favorite Movie of the Week

Léon: The Professional (1994)

Unlike the rest of this week’s movies, I’ve watched Léon before so I feel slightly bad about giving it the favorite movie of the week, but it’s just so good! I’m a fan of Luc Besson in general, and although I haven’t seen some of his movies, this one has to be his masterpiece.

Léon (Jean Reno) is a professional assassin (or “cleaner”) who lives a ordered and quiet life in New York City. When a family living next door to him is murdered by corrupt DEA agents, he reluctantly takes in the sole survivor, precocious 12 year old Mathilda (played by 12 year old Natalie Portman in her debut). Léon is a little slow and not used to sharing his life with anybody and Mathilda is young and starved for emotional attention. They make an unlikely but deadly pair, especially after Mathilda persuades Léon to make her his apprentice.

It’s hard to describe what I like about this movie because everything about it is just right. The neo-noir atmosphere, the unconventional but compelling relationship between Léon and Mathilda, Gary Oldman’s over-the-top but terrifying performance as the villainous DEA agent Stansfield, Jean Reno’s subtle portrayal of Léon… I could go on for a while. Natalie Portman’s acting deserves special praise, though, she makes you simultaneously uncomfortable and want to take care of her.

Other Movies Watched

The Anthem of the Heart (2015)

Jun Naruse talked constantly when she was a child, but after innocently telling her mother about seeing her father with another woman leads to their divorce, she is cursed to not be able to talk without extreme pain. In high school, she’s a quiet girl with no friends, but that changes when her teacher appoints her to the committee putting on a community outreach event. The other three members of the committee slowly become her friends, especially a boy named Takumi. I loved this movie, I thought it was a fairly standard romance in the beginning, but it didn’t go where I expected it to go at all. Although this movie centers around Jun, all four teenagers have their own satisfying growth arcs. My husband is a big fan of the anime series’ that the writer of this movie is involved in so I’m going to have to check those out.

Easy A (2010)

To get out of spending the weekend with her friend and her weird hippie parents, high school student Olive Penderghast lies to her friend about having a date and losing her virginity. The rumor quickly spreads, and Olive soon finds herself in the business of pretending to have sex with her classmates and dealing with the consequences. I thought this movie was fantastic, it’s clearly inspired by John Hughes (and has several references to his movies), and it’s got a lot of heart. Emma Stone steals the show as Olive, she’s smart, charming, and pretty. Unlike a lot of teen movies, this isn’t about social acceptance or teen angst, Olive is someone who is perfectly happy with herself and she solves her own problems – I found that very identifiable.

The Garden of Words (2013)

We’re continuing to go through Makoto Shinkai’s movies, and this 45 min movie (is there a name for a movie that short? I’d call it a novella or a novelette if it was a book) was next on our list, and the last one before his new critically acclaimed movie, Your Name. It tells the story of a 15 year old boy and a 27 year old woman who become unlikely friends after meeting in the park. I think Shinkai is in his element when he’s focusing on just a couple of characters, and this is one of his best movies so far. The characterization is fantastic, not much happens in this movie, but the payoff rests on coming to terms with yourself and your feelings, rather than anything external.

True Grit (2010)

Fourteen year old Mattie Ross is determined to avenge her father’s death and hires the U.S. Marshal with the meanest reputation around, Rooster Cogburn, to hunt down the killer, hired hand Tom Chaney. LaBouef, a Texas Ranger who has also been hunting Chaney for a while joins them in their journey. I love Westerns and I’ve been on a bit of a Hailee Steinfield kick recently, so this movie was right up my alley. I’m not always a big fan of the Coen brothers’ style, they’re often flat and cold, but this doesn’t suffer from those flaws. The central trio (played by Hailee Steinfield, Jeff Bridges, and Matt Damon) are all excellent and even though the characters don’t often like each other, they still form a tight bond. I can’t believe Hailee Steinfield was only thirteen when this movie was made, her composure is admirable.

The Frighteners (1996)

The Frighteners is one of Peter Jackson’s pre-Lord of the Rings movies. Former architect Frank Bannister (Michael J. Fox) has gained the ability to see and communicate with ghosts after a car accident. He uses this to his full-advantage, getting his ghost friends to haunt rich people’s homes to drum up business for his paranormal consulting agency. But when a real monster starts killing people, Frank is the only one equipped to help, and he’s in way over his head. Any movie starring Michael J. Fox doing something that can be described as “hijinks” or “shenanigans” starts off at a pretty good place, and this movie definitely qualifies. It’s very campy and the actors seem to be having great fun with their parts (especially Jeffrey Combs, who I know from various iconic Star Trek roles but have never seen in a real movie before). Don’t expect it to be anything like the Lord of the Rings movies, though.

American Dreamz (2006)

American Dreamz is a satire centered around a TV show clearly based on American Idol. Hugh Grant plays British host/judge/producer Martin Tweed, Mandy Moore plays all-American contestant Sally who is prepared to do anything to win, Sam Golzari plays Omer, a member of a terrorist cell who loves showtunes and ends up being a contestant, and Dennis Quaid plays the President, whose chief-of-staff pushes him to judge an episode of the show to improve his public image. I’ve never seen American Idol, so some jokes probably went over my head, but most of the movie takes place outside of the show. It’s a mediocre movie, although sometimes it was pretty funny. Dennis Quaid’s quasi-George W. Bush was especially good. It’s also got some heart from Sam Golzari’s character, and Hugh Grant is lovable even when he’s a bastard, and those two made the movie somewhat better.

The Circle (2017)

Mae Holland (Emma Watson) gets a customer support job at the Circle, a technology company that’s kind of like Google and Facebook and Amazon combined. Its culture is insidious and soon starts to take over her life. This movie sounded terrible when I first heard about it, despite the impressive cast and Tom Hanks producing it. But as someone who writes software for the web professionally and is concerned about digital privacy issues, I had to see it. It was actually worse than I expected it to be, its tone does not work at all and it seems confused about the kind of story it wanted to tell – it shifts suddenly between being a satire, a thriller, a drama, a dystopian-future movie and so on. Emma Watson was not a good choice for the part of Mae (I loved her as Hermione but haven’t liked her in anything since) – she’s stiff and her accent is wrong (my husband had to tell me she was playing an American, I assumed she was a British expat), and she makes it impossible to connect to the character she’s playing. The rest of the cast is pretty good, but the movie is too bad for them to be able to save it.

Weekly Movie Reviews: Jul 9-15, 2017

Favorite Movie of the Week

No Way Out (1987)

Navy officer Tom Farrell (Kevin Costner) gets a new job as one of the aides of Secretary of Defense David Brice (Gene Hackman). At around the same time, he starts a relationship with Susan Atwell (Sean Young), a beautiful woman who is unhappily involved with a powerful man. His work and personal lives collide violently when Susan is killed right after he leaves her house one night, and he is put in charge of the investigation to find her killer.

No Way Out is one of the best kinds of movies, it surprises you in a good way. You watch it and for most of it you think it’s a pretty average movie and that it’s a competent thriller but some of the things it’s doing just don’t make sense. You wish that writers would be a little more detail-oriented, but you’re used to movies that don’t get the details right. And then by the end, you realize that the wool’s been pulled over your eyes and the movie has used your expectations of it to hide its brilliance in plain sight. The story is not anything new, but the way it’s told is.

Kevin Costner does a fantastic job as Farrell – he’s intense but likeable, and I read somewhere that this was the movie that launched his career as a leading man. Gene Hackman is terrific as always, and Will Patton was amazing too, he really added subtlety to a character that could’ve easily been over the top.

Other Movies Watched

Get Shorty (1995)

Chili Palmer (John Travolta), a mobster/loan shark based in Miami flies to Hollywood to collect on a debt and decides to try to make a career out of producing films. He falls in with horror movie producer Harry Zimm (Gene Hackman), who he’s also supposed to be collecting money from, and discovers that he has a natural aptitude for the movie business – it’s not so different from what he knows. I’m not entirely sure how to describe this movie, I guess it’s sort of an action-comedy and it’s pretty great. It’s got a dry sense of humor (which I love) and the characters are mostly just archetypes, but it makes the ridiculous look normal and even desirable. There’s murder, mayhem, and at least six different agendas in play at any given time, but it all works fantastically well. I’m looking forward to seeing the sequel, Be Cool where Chili takes on the music business.

Boys on the Side (1995)

Jane (Whoopi Goldberg), a perpetually unsuccessful musician, decides to move from New York to Los Angeles in the hopes that she will get better work there. She answers an advertisement from Robin (Mary-Louise Parker) who is looking for a driver to drive to San Diego with her. Along the way, they pick up Jane’s friend Holly (Drew Barrymore), and despite their initial differences, all three women become friends. The first half of this movie is a standard roadtrip movie (although self-aware, the characters even reference Thelma and Louise), and the second half turns into a more serious movie about friendship and consequences. It was a lot more heartfelt than I thought it would be and I would definitely recommend it, especially if you like movies like Steel Magnolias or even Singles or Reality Bites.

Ghost in the Shell (2017)

I like that Hollywood is making more media influenced by anime (the excellent Pacific Rim, the upcoming Death Note), I’ve found that anime often tells stories with characters and ideas that other media rarely explores. Although I haven’t seen the original Ghost in the Shell movies and series, I’ve been looking forward to watching this movie. Scarlett Johansson plays an anti-terrorism officer, Major Mira Killian, who is the first person with an entirely manufactured body – only her brain is human. While tracking down a skilled hacker, she comes to realize that she may not be who she’s always believed herself to be. I enjoyed this movie, although I didn’t love it, its world felt a little too CG and generic. I also liked that the movie was set in Japan and it handled the issue of Scarlett Johansson playing an originally Japanese character very well.

Forever Young (1992)

After suffering a terrible loss, military test pilot Captain Daniel McCormick volunteers to undergo cryonic freezing as part of a top secret experiment. He is meant to be frozen for a year, but World War II breaks out and the experiment is mislaid as a result of the chaos, so he ends up accidentally being revived in the 90s instead. This is a pretty standard sci-fi movie of the era, complete with a cute kid and his family, a chase scene involving running from the government for no apparent reason, and a very convenient ending (also it was written by J.J. Abrams back when he was still credited as “Jeffrey Abrams”). The actors are great, though, and they make the movie seem better than it is – especially Mel Gibson as Daniel and Elijah Wood as the kid, Nat.

Barely Lethal (2015)

Hailee Steinfield plays Agent 83, a teenage spy and assassin who has been trained from birth as part of a secret government program. When she finally graduates and is sent on field missions, she uses her newfound freedom to watch teen movies and fantasize about high school, eventually faking her death to attend high school for real. Of course, high school is scarier than she thought it would be. This movie is all over the place, and if you think about the plot even a little, you’ll realize it makes no sense. But, Hailee Steinfield is a great actress, and her charisma makes this a pretty fun movie. And I did like the teenage boys’ absolute lack of personality other than being objects of desire, it was a nice subversion of the usual tropes (although I’m not sure if the movie did that intentionally or if it was just bad characterization).

Les Visiteurs (1993)

Les Visiteurs is a French movie starring Jean Reno and Christian Clavier as a 12th century knight and his servant who end up modern-day France after a spell goes wrong. I was excited to watch this movie, I’ve loved Jean Reno in everything I’ve seen him in, and I assumed this movie would be good because it had an American remake and a couple of sequels. I ended up being disappointed, though. It’s not like the movie is bad – I think it knows what it wants to do and does it well, but I don’t have the same sense of humor that it does. I think it’s somewhat realistic in that modern-day humans would in fact find people from the 12th century somewhat disgusting, but it’s a dedicated comedy and doesn’t actually examine any of that.

Weekly Movie Reviews: Jul 2-8, 2017

Favorite Movie of the Week

Set It Off (1996)

Frankie Sutton is fired from her job as a bank teller after her bank is robbed by someone who she happened to know. After her efforts to find a new job fail due to the bank’s refusal to give her a recommendation, she ends up working at a janitorial service with her friends Stony, Cleo, and T.T. All four women need money for various endeavors but feel like they are stuck in a cycle of poverty that they can’t get out of. Eventually they decide to use Frankie’s inside knowledge and rob a bank so that they can make a better life for themselves.

Set It Off is directed by F. Gary Grey, who also did Friday and Straight Outta Compton. He’s really good at making his characters believable, and that’s in evidence here as well. This movie is not a heist or a caper, it’s a serious story about four women who truly believe that robbing a bank is the best option they have because they feel like they have tried everything else. I’ve seen comparisons to Thelma and Louise in various reviews, and yes, both movies have female friends committing crimes together, but Thelma and Louise were bored, not desperate.

Pretty much everyone in this movie gives a terrific performance, especially Vivica A. Fox, Jada Pinkett Smith, Queen Latifah, and Kimberley Elise as the four central characters. John C. McGinley’s cop character was portrayed almost as sympathetically as the main characters – they’re not really going up against each other, they’re going up against society.

Other Movies Watched

The Lost City of Z (2016)

The Lost City of Z is based on the true story of British explorer Percy Fawcett and his search for an ancient lost city in South America. It takes a lot of liberties with the original events but it tells a captivating story. It’s set over almost two decades, following Fawcett as his fascination with his hypothetical city increases and how he struggles to balance it with the realization that his family feels like he has abandoned them. Charlie Hunnam does an excellent job as Fawcett, his portrayal is complex and nuanced, and I didn’t exactly like the character but I understood him. I wasn’t familiar with Fawcett’s story so the ending of the movie came out of nowhere, but I liked it after I got used to it.

Children Who Chase Lost Voices (2011)

We’re going through Makoto Shinkai’s filmography fairly quickly (see last week’s reviews), and Children Who Chase Lost Voices is up next. After a boy named Shun saves schoolgirl Asuna from a monster and is found dead soon after, she and her teacher Mr. Morisaki make their way into the mythic land of Agartha, where it is said the dead can be brought back to life.  This movie is beautiful and it reminded me of several Ghibli movies (especially Castle in the Sky), both in its animation style and storyline. It’s well told, but it was a little too melancholy to be emotionally satisfying. Shinkai’s other films share the same melancholy but it works better in his more romance-focused films.

Warcraft (2016)

I was pretty excited about this movie because it’s directed by Duncan Jones (director of Moon and Source Code, which are both great sci-fi movies). And unlike Assassin’s Creed, the last video game movie I had high hopes for, it’s pretty darn good! I’ve never played any of the Warcraft games but I found the story compelling. A tribe of orcs fleeing their dying planet invade the world of Azeroth, and the king of Stormwind must figure out how to respond. The movie starts out from the orcs’ perspective and establishes that they’re just people too, with their own individual desires, and it keeps that theme throughout – both men and orcs have good and evil within them, and the conflict is not black and white. I would gladly watch a lot more movies set in this world if they were all this good.

I Am Not A Serial Killer (2016)

John Wayne Cleaver (Max Records) is a teenager from a small Midwestern town. He’s a clinically diagnosed sociopath and he has a set of rules that he rigidly follows in order to keep himself from following his violent desires. But when a serial killer starts operating in his town, he has to do something about it, even if it means breaking all his own rules. I don’t usually watch a lot of movies with horror elements, but this is based on a book written by Dan Wells (who I know from speculative fiction writing podcast Writing Excuses). It ended up being a much better movie than I thought it would be; it seemed more like a drama than a horror movie, the protagonist isn’t constantly in danger, and even scenes that you think will end badly mostly end up being fine. Max Records (who is apparently the boy from Where the Wild Things Are) and Christopher Lloyd are both great in their roles, giving their characters humanity at the oddest moments. I’m not convinced that John is a sociopath, though; he might think he is, but he cares too much.

The Secret of My Success (1987)

Brantley Foster, a farm boy from Kansas, is determined to do well and rise quickly at his new job in New York City. When the job falls through at the last minute, the only work he can find is in the mailroom of Pemrose, the large corporation that his uncle manages. Undeterred, he vows to be successful and soon finds that the mailroom offers a lot more opportunities than he originally anticipated. The Secret of My Success was pretty funny, it reminded me of a screwball comedy from the 30s/40s, although it also had some slapstick and physical comedy. I find young Michael J. Fox irresistible, especially when he’s playing an upstart, and he makes it impossible to not like the movie.

Wild Wild West (1999)

Jim West (Will Smith), a cocksure Army officer/gunslinger is forced to team up with Artemus Gordon (Kevin Kline), a U.S. marshal/inventor/master of disguise to save President Ulysses S. Grant from an evil ex-Confederate inventor who was unhappy with how the Civil War turned out. I knew this movie was going to be terrible before we watched it so I was mostly watching it for the tropes and ridiculousness. I would never call it anything approaching a good movie, but it’s still got some enjoyable qualities. Kevin Kline is a great actor, and even though he’s underused here, he’s still got great comic timing. The genre of the movie was interesting too, it’s got some steampunk/weird Western elements to it, and I don’t think those were all that popular when the movie was made.

Weekly Movie Reviews: Jun 25-Jul 1, 2017

Favorite Movie of the Week

The Edge of Seventeen (2016)

I was excited to watch The Edge of Seventeen because it got great reviews. Going into a movie with a lot of hype usually leads to disappointment regardless of how good it is, but there are rare occasions where a movie manages to live up to your expectations. Fortunately, this was one of those occasions.

The tagline for this movie is “You’re only young once… is it over yet?”, which pretty much sums it up. Nadine (Hailee Steinfield) is a high school junior who already finds her life unbearable enough – her dad has been dead for a few years, her mom is self-involved and doesn’t care about her problems, her brother is handsome and popular and can’t understand what she’s going through, and she has a crush on somebody who doesn’t seem to know she exists. To make things worse, her best (and only) friend starts dating her older brother so now she doesn’t have any friends either.

The plot of this movie doesn’t really matter. It’s a coming of age story, but what makes it unique is the visceral exploration of what it’s like to be a teenage girl and it does a better job of it than any other movie I’ve seen. The combination of thinking the world revolves around you but being crippled by self-esteem issues, the constant need to define your identity, post-pubescent hormones that you haven’t gotten used to yet pushing you in directions you would never normally go – I didn’t think they could be represented in film so well. The credit goes to both Hailee Steinfield and writer/director Kelly Fremon Craig (in her directorial debut), and I expect even greater things from both in the future.

Other Movies Watched

5 Centimeters per Second (2007)

Makoto Shinkai is one of Japanese animation’s most famous names – Wikipedia describes him as a “director, writer, producer, animator, editor, cinematographer, voice actor, manga artist and former graphic designer”. We’ve been meaning to watch all of his movies, but the recent release of the critically acclaimed Your Name pushed us into action. We’re watching the movies in the order they were released, and 5 Centimeters per Second is his third film. It’s only an hour long and it’s a series of three connected short films set a few years apart and focusing on a boy named Takaki as he grows up. It’s a bittersweet story and it pulled me in emotionally without me noticing until the end. I highly recommend it.

Romeo + Juliet (1996)

Romeo + Juliet was one of the earliest movies my husband and I tried to watch together, but I wasn’t a fan of movies back then and found it too cacophonous and overwhelming. It is an adaptation of Shakespeare’s play, set in modern California with a soundtrack of modern songs. The dialogue, however, is not modern – it all comes directly from the play, sometimes interpreted quite creatively. The Montagues and the Capulets are reinterpreted as bitterly feuding Mafia families, the weapons are guns with brand names like “Sword” and “Dagger”, and so on. Romeo and Juilet are played by Leonardo DiCaprio and Claire Danes, and I can’t think of better casting than that, especially in the mid-90s. The whole movie rests on them, and they’ve both been fantastic actors ever since they were young, they make the archaic dialogue sound completely natural. It’s still a pretty cacophonous and overwhelming movie, but it’s also brilliant.

Big Night (1996)

Stanley Tucci co-wrote, co-directed (in his directorial debut), and starred in this movie about two Italian brothers Primo and Secondo (played Tony Shalhoub and Tucci, respectively) who organize a big party involving a famous musician in a bid to save their failing restaurant. I thought this would be one of those feel-good indie dramas, but it’s not really about the restaurant, it’s a serious exploration of the immigrant experience (the movie is set in the 1950s) and the relationship between the brothers. Primo is fiercely proud of his cuisine, his culture, and his talents, whereas Secondo is more pragmatic and tries to integrate into American life a little more. Tony Shalhoub and Stanley Tucci both do a fantastic job, and the rest of the cast (including great actors like Ian Holm, Allison Janney, Minnie Driver, Isabella Rossellini, and co-director Campbell Scott) are excellent too. Also, if you look closely, you can spot a young Liev Schreiber in one of his earliest roles.

The Place Promised in Our Early Days (2004)

This is Makoto Shinkai’s second movie (and first full-length movie) after his solo effort Voices of a Distant Star. It’s set in an alternate history where Japan was divided into two occupation zones – Russian and American. We follow three friends, Hiroki, Takuya, and Sayuri in the American zone who are captivated by a tall tower on the Russian side and promise each other to fly to it to see what it is. When Sayuri disappears one day without saying goodbye, Hiroki and Takuya grow apart and abandon their promise, but three years later, Takuya can’t just let it go. The only complaint I had about this movie was that the pacing was a little slow. After we watched it, my husband described it as “a mix of Studio Ghibli and Evangelion”, and I think that’s spot on (in a good way). The plot and the younger versions of the characters reminded me of a lot of Ghibli movies, especially since it centered so much on flying, and the worldbuilding and older versions of the characters seemed like they could fit comfortably in the Evangelion mythos.

Hollywood Homicide (2003)

Harrison Ford and Josh Hartnett play LAPD detectives investigating the murder of a up and coming hip hop group in a crowded club. This is a pretty standard buddy cop comedy and it pokes fun at cops, LA culture, the entertainment business, and so on. Harrison Ford’s character is a real estate agent and Josh Hartnett’s character is a yoga teacher/aspiring actor, and they both have a little bit of trouble keeping their off-duty lives out of their jobs. I was hoping that director Ron Shelton would make this movie as engrossing as his sports films, but, despite being fun, it turned out to be fairly unmemorable. Maybe I would have been more impressed with this movie if I hadn’t seen Kiss Kiss Bang Bang and The Nice Guys, but Shane Black fills this niche way better.

Austin Powers: International Man of Mystery (1997)

I knew before we watched this that the Austin Powers movies weren’t really my type, but they’re a cultural phenomenon and I wanted to get around to watching them someday. If for some reason you haven’t heard of them, they’re James Bond spoofs (based mostly on the 60s Bond movies, with a healthy dose of hippie culture mixed in), written by and starring Mike Myers (in multiple roles). I’m glad we watched a bunch of the Connery Bond movies before watching this, I got a lot more of the jokes. But overall, the humor is pretty crude and much of it comes from taking a joke so far that it’s so much past the point of not even funny anymore that it’s supposed to become funny again, I guess. I’m glad I watched it because now I can get references to it, and we’ll probably watch the other two movies eventually, but not because they’re good.

I would have put this below Michael on the list based on enjoyment, but at least this movie knew exactly what it wanted to be and succeeded, whereas what Michael wanted to be was unfathomable.

Michael (1996)

This is a terrible, terrible movie about two tabloid reporters who investigate a claim that the archangel Michael has been living in Iowa for a few months. To their surprise, it turns out to be true, but the real Michael is hardly angelic – he chain smokes, he picks up women everywhere he goes, and he’s played by John Travolta. For some reason when I watched this movie, i almost felt like I was watching a movie from an alternate Earth where everyone was operating under a different set of assumptions than our Earth, but I can’t be more specific than that the movie felt off somehow. The actors do a fine job with the material they have, and I know Nora Ephron is a good director usually, but this was a dud.

Weekly Movie Reviews: Jun 18-24, 2017

Favorite Movie of the Week

Two Days, One Night (2014)

I’m not sure where I heard about this Belgian movie (Deux jours, une nuit), but it’s been on our list for a while. Marion Cotillard plays Sandra, a woman about to go back to work after medical leave for depression. She finds out that her boss asked her colleagues to vote to choose between firing her and receiving a bonus, and they chose the bonus. Her boss agrees to hold the vote a second time, and she has one weekend to persuade her colleagues to change their vote.

From reading the description, I thought this was going to be a comedy-drama, but it turned out to just be a drama, and much better than I thought it would be. Sandra is still dealing with her depression and anxiety, and going around persuading people to give up money so that she can still have her job is not something that is particularly helpful to her mental state. Marion Cotillard was nominated for the Best Actress Oscar for her work in this movie (despite it being a foreign film that wasn’t nominated for any other Oscars) and she does a great job of putting you in Sandra’s headspace – it’s not the most comfortable thing but makes her infinitely relatable. The rest of the characters in the movie also seem like realistic people, and you think you’re just watching people react to each other in a uncomfortable situation, but by the end, a satisfying story has sneaked up on you.

I found out while doing research for this review that the directors, the Dardenne brothers, are well-known for making great movies, and I will definitely be watching more of their work.

Other Movies Watched

Genius (2016)

Genius tells the story of the relationship between famed editor Max Perkins (who discovered F. Scott Fitzgerald and Ernest Hemingway) and idiosyncratic author Thomas Wolfe. Perkins recognizes genius in Wolfe’s long, rambling work, and he is willing to put in the time and effort to publish it, and the two of them embark on a profitable (but sometimes all-consuming) partnership. Colin Firth is great at playing dependable and reassuring characters, and he’s in his comfort zone playing Perkins. Jude Law is also well-cast as the charming, manic, selfish, incorrigible Wolfe – he’s played similar characters before (like Dickie Greenleaf in The Talented Mr. Ripley). I loved that this movie was about writing books, and a lot of the best scenes were about the business of editing and figuring out what words made sense. I’m probably biased there, but even if you don’t love books more than anything, it’s still a solid historical drama.

Twister (1996)

Twister follows a group of storm chasers led by about-to-divorce couple Bill and Jo Harding as they try to launch some new instrumentation into a tornado. It is described as a “disaster film” on Wikipedia, but I don’t really think the term applies since the protagonists actually want to be where they are – it’s not something they are unwittingly caught up in. I’ve watched this movie before, and it still holds up. I particularly love Helen Hunt’s character Jo, who plays a smart and competent (if somewhat obsessive) scientist – I think she’d get along well with Ellie Arroway from Contact. She’s also got great chemistry with Bill Paxton, and it makes you actually invested in their relationship. Some of the movie is a little cheesy, but it’s mostly just fun with a group of lovably eccentric characters.

The Constant Gardener (2005)

I’ve enjoyed the other movies I’ve seen based on John le Carré’s books (Tinker Tailor Soldier Spy, The Tailor of Panama), they are quiet and thoughtful spy movies with interesting characters. The Constant Gardener is in that same vein and did not let me down. Ralph Fiennes plays Justin Quayle, a British diplomat living in Kenya. When his wife is killed in suspicious circumstances, he tries to find the perpetrators while reexamining their relationship and the things she kept from him. It’s as much a movie about a relationship as it is about a conspiracy, and both are very well done. Ralph Fiennes is fantastic as Quayle, the setting of Kenya seems more authentic than other movies and lends a great atmosphere, and the storytelling is slow but powerful.

American Ultra (2015)

Jesse Eisenberg stars in this movie about Mike Howell, a small-town stoner who is (unknown to himself) a product of a failed CIA experiment to produce covert operatives. When the CIA decides that he is a liability and needs to be exterminated, he proves to be a hard person to kill as all his old skills kick in. This is a pretty ridiculous and over-the-top movie, but it’s also a lot of fun. Jesse Eisenberg and Kristen Stewart (who plays his girlfriend) play the stoner couple to perfection, and their chemistry keeps things grounded even when everything is exploding around them. American Ultra reminded me a little bit of Zombieland – it’s has a similar tone of campy/goofy/scary with actually likeable characters.

Beverly Hills Cop (1984)

We’re slowly but surely going through all the famous buddy cop movies of the 80s, and Beverly Hills Cop was next. Eddie Murphy plays Detroit cop Axel Foley who visits Beverly Hills on “vacation” to try and solve the murder of his friend. Foley is a talented detective but he’s also willful and has a problem with authority, so he runs afoul of the local law enforcement pretty quickly – until he actually finds something, anyway. Eddie Murphy has great comic timing and makes Foley lovable instead of obnoxious, and the rest is a pretty typical buddy cop type movie. Also, I’ve been familiar with the “Axel F” theme from the soundtrack for over a decade, and I finally got to see where it came from!

Dune (1984)

I read Dune a long time ago, and as much as it hurts to admit it as a die hard science-fiction fan, I didn’t like it very much, despite its classic status. I did enjoy the worldbuilding, though, so I was cautiously looking forward to watching this movie. We follow Paul Atreides (played by Kyle MacLachlan), a young man from a noble family, as he overcomes his circumstances as the victim of a conspiracy and eventually rises to greatness. It’s a pretty weird movie, the characters aren’t quite relatable (they were faithful to the book in this regard), and the set and character designs can be pretty uncomfortable. It is unique though, and I’d happily watch more movies in this universe if they had made any.