Set in medieval Russia, The Bear and the Nightingale follows Vasalisa (Vasya) Petrovna, the young daughter of a country noble. Vasya was born with a destiny; her mother sacrificed her own life so that she could inherit her family’s magical heritage. She can see and communicate with the household and woodland spirits around her. However, when her father marries a new devoutly Christian woman, her arrival puts an end to the traditional offerings to the spirits and their protection weakens just as an ancient evil is breaking free of his bonds.

The Bear and the Nightingale is quiet and slow, focusing on Vasya’s domestic life for the first two-thirds, but it’s never boring. It completely immerses you the atmosphere of the place and time that it’s set in in a way that few other books do. There’s the obvious comparison to Hild by Nicola Griffth, another story that takes real-life historical figures who are dealing with the advent of Christianity pushing out indigenous religious beliefs and tells their story with an incredible amount of detail about their day-to-day life. But the book reminded me most of the movie Whale Rider in tone, the protagonists of both are young women who know who they are and the world around them must eventually give up trying to contain them and instead bow to their convictions. Vasya is a remarkable protagonist, she acts and thinks like a woman of her time but she’s still almost a force of nature.

The other characters in the book are just as rich as Vasya, even the antagonists. You can’t bring yourself to despise Vasya’s hysterical stepmother Anna or the overzealous village priest Father Konstantin despite the awful things they do because their actions are so obviously motivated by their fear and unhappiness with parts of their life that they could not control. Vasya’s family loves her, but they are people of their time and their adherence to tradition stifles Vasya just as effectively as the more antagonistic characters. But they are still characters you grow to love.

I’ve always been captivated by Russian folklore with its guardian spirits that are an inseparable part of daily life. This book perfectly captures the feeling of living in a such a world and it’s hard to tell where the real world begins and what’s magical because it’s all reality to Vasya. It mixes medieval slice-of-life with fairy tale conventions effortlessly. Morozko the winter-king says to Vasya at some point that magic is just choosing to believe that the world is the way you want it to be and I think that conveys the tone of this book rather well. The worldbuilding is only enhanced by the author’s beautiful prose that conjures up vivid imagery from very few words.

The Bear and the Nightingale was one of my favorite books of the year. I particularly appreciated that this book tells a satisfying story by itself. If I didn’t already know there was a sequel, I would have assumed it was a standalone. But I’m so glad that there is a sequel and I have an early copy of it because I can’t wait to spend more time in this world.

The Bear and the Nightingale by Katherine Arden (Winternight, #1)
Del Rey, 2017 | Buy the book
I received a free review copy of this book from the publisher or author.

I was really looking forward to The Witchwood Crown after I got back into the world of Osten Ard earlier this year with Tad Williams’ excellent short novel The Heart of What Was Lost. It’s properly doorstop-sized and it follows a bunch of characters from the original Memory, Sorrow, and Thorn trilogy!

It’s been about thirty years since the events of the previous books and Osten Ard, ruled by High King and Queen Simon and Miriamele,  has been enjoying peace and stability. Things have been growing steadily worse as the terrible war of the Storm King begins to fade from memory – several kingdoms are facing internal political strife, contact with the Sithi has been lost, and Utuk’ku, the dark queen of the Norns, has woken and once again plots the destruction of humanity.

We follow several protagonists across Osten Ard as events come to a head: Osten Ard’s monarchs (and our old friends) Simon and Miriamele, their grandchildren Prince Morgan and Princess Lillia, other people from the Hayholt including the chancellor Lord Pasevalles, court members (and also old friends) Tiamak and Count Eolair, Norn engineer Viyeki (who we last met in The Heart of What Was Lost), his human concubine Tzoja and half-human daughter Nezeru, a couple of characters from the grasslands of Thrithings, a servant of the Duchess of Nabban, a mysterious Norn-hunter named Jarnulf… I might be forgetting some. This is an epic story affecting the whole world and it’s told through people living through events in a bunch of different places, and only the readers know the whole story of how they may all be connected.

I expected to plow through this book and stay up all night reading it but it was actually slow going. For the first few hundred pages of the book, it didn’t seem like anything was happening, I felt like I was reading a slice of life story, except not as interesting because it was actually about twenty different slice of life stories and we didn’t stick with any viewpoint for enough time for me to develop a real investment in the characters. The last third of the book is much better paced; things start to change rapidly, we get answers to burning questions, and we start to see all those disparate threads come together.

Another thing that disappointed me was how the characters from the first trilogy had aged and how that impacted the plot. Simon and Miri are old and grief-stricken from the loss of their son a few years prior to the events of the book, they seem almost unforgivably gullible to have not noticed all the trouble brewing around them – not a good quality for monarchs. Their grandson and heir Prince Morgan is utterly insufferable, he’s spoiled and petulant, and Simon and Miri don’t seem to know how to deal with him at all – everything they do is obviously going to fail, and I don’t know how they don’t realize that. I’m not saying this is bad writing, in fact it’s probably realistic that Simon and Miri aren’t going to be good at politicking or dealing with people that don’t have the inherent drive to be good (like Morgan), but it’s not very much fun to read about our old heroes being incompetent.

Other than those two (admittedly major) gripes, I thought The Witchwood Crown was a pretty good book. It’s certainly more nuanced the the original trilogy. I’m especially glad that the Norns are being given some definition and not just treated as faceless villains; between Tzoja, Nezeru, and Viyeki, we get a variety of perspectives into their culture and motivations. The prose is good, of course. And by the end of the book, I was intrigued by most of the plotlines enough to eagerly await the next book.  I hope it has better pacing and more competent characters, though.

The Witchwood Crown by Tad Williams (The Last King of Osten Ard, #1)
DAW Books, 2017 | Buy the book
I received a free review copy of this book from the publisher or author.

This review of Red Sister is long overdue, I read it way back in April but never got around to reviewing it since I was already backlogged on reviews. Luckily, it’s one of the best books that I read this year and I still remember it very well.

Red Sister follows Nona Grey, a young girl accused of a heinous crime and sent away from her home. She ends up at the Convent of Sweet Mercy, where children with the right heritage are taught to be deadly killers and powerful mages. She finds more than just a place to live, she is truly challenged for the first time, she uncovers parts of her personality she never knew had and makes friends closer than family. But Nona’s considerable talents and violent past put her in the middle of long-simmering power struggles within the church and the empire, and she makes quite a few enemies as well.

This book is one of my favorite sub-genres of fantasy, the coming of age and training of the main character. Most of Red Sister is set entirely in the convent, which seems likes it could get boring fast but ends up being utterly riveting. Nona is a great protagonist –  she can be pretty intense at times which makes her both scary and vulnerable, she’s got an interesting backstory, and she reacts like a real person to the things that happen around her (unlike many fantasy characters). It is a pleasure to watch her slowly transform from a mistrustful and hurt young girl to the confident and formidable person that she is at the end.

The most unique thing about this book is the way it depicts female friendships. I can think of a bunch of different books that have great male friendships (Riyria’s Royce and Hadrian, the Gentemen Bastards’ Locke and Jean, to name a couple) but I really can’t think of many books that draw attention to women who are friends. Red Sister doesn’t just focus on them, it makes them the core of the book – Nona’s friendships drive her to grow, provide a source of tension (without melodrama), and make for some pretty heartwarming moments. Yes, there’s a lot of intrigue and action, but none of it would matter if we didn’t care about these relationships so much.

I also really liked the world that this book was set in. It reminded me of N.K. Jemisin’s Broken Earth books – it’s a world that’s slowly dying, and the people living in it now that have access to technology but any understanding of how it all works has been lost for generations.  So far, the state of the world hasn’t made much of an impact on Nona’s life, but I assume it will become more relevant in the next two books.

I can’t wait for the next book, Grey Sister, to come out! At least I haven’t read most of Mark Lawrence’s other work, so I have something to tide me over.

Red Sister by Mark Lawrence (Book of the Ancestor, #1)
Ace Books, 2017 | Buy the book
I received a free review copy of this book from the publisher or author.

Todd Lockwood is one of my favorite fantasy/science-fiction illustrators, and I especially love the covers that he did for the Memoirs of Lady Trent series (which are all about dragons – see here and here for cover images!) When I found out that he was writing a new fantasy series featuring dragons, I was pretty excited to read it.

Growing up on a dragon aerie, Maia has long looked forward to having a dragon of her own, and this might be the year. She’s old enough to start training a dragon, and there are more dragons qits than are needed to fill the usual government quota – even if they are at war. The routine yearly visit from the Dragonry to pick up their qits gets complicated when Maia sees the Summer Dragon, a symbol of an ancient faith suppressed by the empire. And to make things worse, the empire’s enemies are targeting aeries, so Maia’s home has suddenly become a dangerous place to be.

It took me a while to get into this book (as with most books written from a first-person perspective), but I ended up liking it quite a bit. Maia is a terrific protagonist, she’s smart, stubborn, and brave. Her stubbornness drives much of the story, and sometimes it makes her a little bit insufferable, but that’s okay because most people are. We see all the other characters from her perspective so they’re not as developed as her, but they’re still fairly nuanced. Some characters seem like standard archetypes at first but end up surprising you later.

I enjoyed the worldbuilding, there are layers of history that all interact with each other in a realistic way, and that makes the world feel lived in, rather than just being there to support the story. There’s a lot of political intrigue, which I love in fantasy, and I thought it was well done here. The plot is mostly predictable, but there are a couple of interesting turns that I didn’t see coming. One of the things I appreciated was that even though the book featured a teenage protagonist growing up in an isolated area of the world, Maia didn’t actually have to leave home or go on a long journey to find adventure, she did it while having her home and family nearby. Oh, and of course I have to mention the illustrations, there are several of them and they’re by the author, so they’re fantastic.

I’m looking forward to reading further books in the series. I hope the next book comes out soon!

The Summer Dragon by Todd Lockwood (The Evertide, #1)
DAW Books, 2016 | Buy the book
I received a free review copy of this book from the publisher or author.

Anthony Ryan has been on my wishlist for a long time, so I was excited to receive a copy of The Waking Fire from Ace recently. I’ve been reading a lot of books about dragons recently (Within the Sanctuary of Wings, and The Summer Dragon by Todd Lockwood, which I still need to review), so I wasn’t sure I wanted to read this one just yet, but I succumbed to the back cover blurb.

We follow three protagonists – Lizanne, a covert agent for the Ironship company, Hilemore, a naval officer serving on a cutting-edge new ship, and Clay, a petty criminal recruited by Lizanne’s company for a dangerous expedition. Drake blood, which grants “Blood-blessed” humans special powers, has been dwindling in potency rapidly. To avoid a disastrous economic collapse, the Ironship company is organizing an expedition into the interior of the colonized Arradisian continent to find a fabled new variety of drake. This new White drake isn’t just a simple animal, though, and waking it up proves to be dangerous.

There’s a lot going on this book, all three protagonists have pretty different stories, and I don’t think my summary covered it all.  Clay is on a standard fantasy quest, Lizanne’s plot is all about espionage and war , and Hilemore seems like he’s straight out of a more traditional military fantasy. All three of them tie together to tell a larger story about a rational and ordered world that’s suddenly going crazy. The world really pulled me in, there’s a bunch of corporations pursuing profit, a simple but versatile magic system, an ambitious empire, cunning pirates, fearsome warriors, and lots of cool dragons. The action scenes were particularly well-done, I could almost see the movie in my head, and I usually just glaze over those kinds of scenes in books.

I did have a couple of issues with the book, mainly with the characters. Sometimes I felt like they just did stuff, and I didn’t have any insight into why they were making the decisions they did. It was never bad enough to take me out of the story, but unlike more character driven books, I can’t really describe the characters’ personalities, just their actions. The book also wasn’t as tight as it could have been – Hilemore’s story didn’t tie into Lizanne and Clay’s until the last minute, and I’m still not sure what the significance of his experiences is to the larger story. I also hope the initial premise of drake blood losing potency will be explored in future books, it ended up being overshadowed by larger events.

I feel like I’ve read a lot of the great fantasy authors writing today, so I’m always excited to discover someone new, and Anthony Ryan seems like he could definitely be one of them. I’m glad I only have a little over a month until The Legion of Flame comes out, and I’ve also ordered Blood Song, the first book of the author’s previous trilogy, to help me wait.

The Waking Fire by Anthony Ryan (The Draconis Memoria, #1)
Ace Books, 2016 | Buy the book
I received a free review copy of this book from the publisher or author.

Brian McClellan’s Powder Mage trilogy is one of my favorite new fantasy series’, and I’ve been looking forward to the new trilogy set in the same world ever since Brian talked about it in my interview with him a couple of years ago. And now it’s finally out, and I’ve read it, and I thought it was even better than the first trilogy!

The new country of Fatrasta is ruled with an iron fist by the Lady Chancellor Lindet. Her secret police, the Blackhats, are almost everywhere, and where intimidation and arrests won’t work, there are mercenary companies. The famed powder mage Vlora leads one of these companies, and is suddenly called back from the frontier to deal with an insurgency within the capital city of Landfall. Of course, the insurgency isn’t as simple as it seems, and the long isolated Dynize Empire appears to be stirring again. It’s up to Vlora, her Blackhat liaison Michel Bravis, and disgraced Fatrastan war hero Ben Styke to figure out what exactly is going on and what it means for Fatrasta.

Sins of Empire is the start of a new standalone trilogy, and you can definitely read it without reading the Powder Mage trilogy – it’s set on an entirely different continent and only shares a few characters. That being said, I have read the Powder Mage books, so I’m going to be referencing them in this review (without spoilers.)

I love the flintlock fantasy subgenre in general, and the world of these books in particular. The gunpowder based magic system is one of the coolest ideas that recent fantasy has produced – I’m not sure why I love it so much, but it probably has something to do with why I also love Westerns and cheesy action movies. Anyway, there are guns, there are printing presses and penny dreadfuls, there’s exploration of colonialism without making anyone the bad guy. The world seems like it’s vibrant and changing quickly, and it really jumps off the page.

The characters are memorable – I already mentioned that there’s no cardboard cut out good guys and bad guys, but that doesn’t mean that everyone is morally ambiguous. There are antagonists, but you understand what makes them what they are. Vlora is an unusually compelling protagonist, she’s a veteran soldier in a committed relationship, she’s already pretty badass, but she’s also flawed and she knows it. Michel Bravis is a weaselly guy, but you’d expect that from a professional informant. Characters like him usually end up being sidekicks or useful friends for the protagonist to have, so he makes a fascinating viewpoint character too. Ben Styke is the most conventional protagonist, but he’s also well done, and I always looked forward to his segments too. Readers of the original trilogy will see some unexpected but welcome familiar faces (I totally called one of the characters the first time they appeared, which is probably useless information in a review, but I’m proud of myself and had to share it.)

The pacing is probably the weakest point of the book, but I’d only call it weak if I was trying really hard to find something negative to say. For the first half of the book, I had no idea what was going on or what the ultimate plot of the book was going to be, but once things started falling into place, the revelations kept coming. My only major complaint is that I want to find out what happens next, and I don’t know when the next book is coming out.

Sins of Empire by Brian McClellan (Gods of Blood and Powder, #1)
Orbit Books, 2017 | Buy the book
I received a free review copy of this book from the publisher or author.

Karigan G’ladheon has just been suspended from her school for getting into a fight with an influential noble’s son. As she’s making her way home, she runs into a dying messenger who asks her to deliver his message to the king. She agrees, but what she thinks will be a simple journey turns into something much bigger when she is chased by agents of a mysterious power and encounters magic that she thought was long dead.

If I had one word to describe Green Rider, it would be “mediocre”. It is a pretty standard fantasy novel – we have the reluctant hero with latent magical powers, a long journey where the hero is chased by a representative of a long-dead evil, an intelligent mount, etc. In concept it’s probably most similar to Mercedes Lackey’s Heralds of Valdemar. I usually don’t have a problem with fantasy clichés (see my review of The Shadow of What Was Lost for example), but I don’t think this book ever rose beyond its clichés.  Karigan was an extremely bland protagonist, even after reading the entire book, I couldn’t tell you anything about her personality. Other characters seemed to just do whatever the plot required of them.

I don’t think I will be continuing with other books in this series.

Green Rider by Kristen Britain (Green Rider, #1)
DAW Books, 1998 | Buy the book
I received a free review copy of this book from the publisher or author.