I read The Dagger’s Path immediately after finishing the first book of this series, The Lascar’s Dagger. I enjoyed the first book, but this one really made me want to read other books by Glenda Larke.
I love fantasy books with non-traditional settings (Throne of the Crescent Moon, Elizabeth Bear’s Eternal Sky trilogy), and this book includes a lot of that. The first book is set in a fairly standard European-inspired fantasy setting (albeit with a secondary character that’s most definitely not European), but in this book, the secondary character becomes one of the main protagonists, and we visit his home and see it through both foreign and native eyes. The Chendarwasi islands and the Spicerie are inspired by Indonesia and Malaysia, and there are quite a few literal references to their language and culture (I read in an interview that the author’s husband is Malay and his culture inspired this book).
I also liked the characters quite a bit. The three main protagonists are Saker, the rakish priest/spy who usually has the best of intentions but ends up in pickles regularly, Ardhi, the titular “lascar” who is atoning for the terrible consequences brought upon his people by his naivete, and Sorrel, the woman that accidentally murdered her abusive husband and is finding that she is an incredibly tough and resourceful person. The secondary characters also feel like people I’ve gotten to know pretty well, despite the shorter page time – Mathilda, the princess that will do anything to gain power in a world that refuses to recognise that women can be trusted to hold it, Ryce, the prince that struggles with feeling weak for doing the right thing, Gerelda, the unflappable lawyer and her charge Peregrine, who has a burden beyond his years, Fritillary Reeding, the tough religious head who is determined to keep darkness from claiming her lands, Lord Juster the flamboyant privateer who is pragmatic until someone threatens his beloved ship.
I was worried about some elements of the plot in The Lascar’s Dagger – the generic evil seemed a bit too derivative, and some characters that we were supposed to like made some questionable decisions. After this book, though, I’m no longer worried – Larke uses the “generic evil” tropes rather cleverly, and the characters in question either realized that their decisions were suspect or fully committed to the dubious path. The book moved pretty quickly, and most of the outstanding questions from the first book were answered (something I always appreciate in a middle book of a trilogy), but of course, they raised a whole bunch of new ones.
The Dagger’s Path isn’t flawless – some of the characters flip-flop between attitudes too often (Sorrel’s emotions regarding Ardhi and Ardhi’s conviction regarding his ultimate fate, for example), everyone likes Saker way too much and too quickly, but it’s compelling and fun. This book isn’t even officially out, but I’d really like the third book now, please.
- “The Lascar’s Dagger” by Glenda Larke
- “Firefight” by Brandon Sanderson